It bombed at the box office, succumbing to The Expendables. On its own merits, Scott Pilgrim is and was a special work by a special artist who has followed the righteous journey of a cult hit.
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If any of these stories end in happy romance, color me shocked.īut how people act isn’t the fault of the movie inspiring their behavior, ever. Spark a conversation about Scott Pilgrim in a room of people, and you may hear horror stories about a man too eager to see themselves as Scott or someone eager to latch onto women and call them Ramona.
He truly does not deserve Ramona nor Knives, and how he treats them both is reason enough to ask how much gas there is in this story’s tank. Scott is too wimpy to be a men’s rights activist, but his behavior is no less toxic than that of such individuals. That the narrative thrust and denouement of Scott Pilgrim lies in this same man’s sense of self-respect feels awkward, as though it were an implicit validation of his character. The World is still a unique and kinetic picture after 11 years. With a wide array of influences like arcade video games and comic books, Scott Pilgrim vs. It’s a relief that the movie righteously roasts its protagonist for his actions even drunk roommate Wallace (Kieran Culkin) speaks sober truth, saying, “You should break up with your fake high school girlfriend.” This is why it’s unfortunate that Scott Pilgrim is such a terrible guy at the center of it all. But due to his singular execution, Scott Pilgrim has no equal. Wright is far from the first artist to blend differing flavors to great effect. One could argue that the prevalent sardonic humor of TikTok, an exclusively youthful canvas defined by abrupt editing and non-stop remixes, owes much to Wright and the rhythmic mayhem of Scott Pilgrim. The abundance of comic-inspired titles and onscreen graphics, some cleverly diegetic, speak to the instincts of Scott Pilgrim’s contemporary audience of second and third-wave millennials-the younger set more attuned to the Internet than any generation before them. But Wright cranks up the caffeinated sensibilities he’d only teased prior, with his zombie comedy Shaun of the Dead and cop satire Hot Fuzz, to unleash unbridled, hyperactive chaos. It would be predominantly “cute,” akin to something like Nick and Norah’s Infinite Playlist. In the hands of another filmmaker, Scott Pilgrim might’ve looked more like other late-2000s teen films. The World remains fresh and fun eleven years later, even if Scott (Michael Cera) isn’t a totally wholesome character.
And no matter how absurd things get - from Jackie Chan-style boss battles and vampire backup dancers to most memorably the Vegan Police - Scott Pilgrim doesn’t entirely lose sight of its very human characters in a very real Toronto. A subplot about the rags-to-riches success of Scott’s middling rock band speaks to the more realistic interests and concerns of characters who are not Scott. Its plot is low-stakes, concerning a wiry, indecisive prick placing himself between two women out of selfishness. It remains fast and fun after all this time, though really looking at its central character threatens to kill the party.Īt a glance, Scott Pilgrim resembles a twee indie aughts comedy that had its soul sucked into the body of a colorful genre blockbuster. It’s a movie fully deserving of its cult-classic status - and one that equally deserves to be grilled for its complicated legacy. With kinetic pacing, relentlessly ingenious staging, sharp visual humor, and a genuine fondness for millennial pop culture (in particular arcade video games), Scott Pilgrim is essentially Tekken by way of John Hughes. Scott Pilgrim’s life is currently more dramatic than usual, as he struggles to dump his 17-year-old girlfriend, Knives Chau (Ellen Wong), make it work with his other girlfriend, Ramona Flowers (Mary Elizabeth Winstead), and fend off an army of Ramona’s vengeful exes. The World tells the story of a twentysomething bassist in Toronto, played by Michael Cera. Here’s why you need to see this cult classic on Netflix before it leaves on September 15.Īdapted from Bryan Lee O’Malley’s graphic novel series, Scott Pilgrim vs. 11 years ago, maverick auteur Edgar Wright delivered an eye-popping rom-com, unlike anything comic-book fans had seen before: Scott Pilgrim vs. There is one movie that happens to be all those very complicated things, as well as a profoundly fun watch in its own right. Can a movie be both ahead of its time and extremely dated? Can a movie unite an ensemble of future blockbuster stars and critical darlings yet fail miserably at the box office? Can a movie be mind-melting and mesmerizing but arguably wretched at its core?
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